Triumph and Disaster

At Art in Action I met a chap called Chris from Hahnemuhle paper and was able to pester him about the bamboo paper his company makes.

I’ve gone on about paper before: in an ideal world I would be using traditional Washi paper for my watercolour Japanese woodblock printing. Unfortunately this mulberry bark paper is affordable in Japan, but quickly becomes unaffordable here. At the thickness and quality that I want, it would really be more economical to employ a Saville Row tailor to hand stitch fifty pound notes into printing paper.

So I thought that perhaps Hahnemuhle’s bamboo paper* was worth a go. Normally I use Fabriano, either Academia or Artistico (both 200g) depending on the size of my work. It works fine, but bamboo sounded so much more fun. Besides which, Chris was really kind and gave me a large pad for experimenting. Art in Action was in July and I have finally got around to giving it a go. I’m gutted: it doesn’t work. It really, really should work, but it doesn’t take the colour smoothly. This is akin to my disappointment over eating dhal: I love lentils, I love Indian food, but I somehow hate dhal. There’s something wrong with the world order somewhere…

However, there is a silver lining to the story. The bamboo paper, almost a thick card, takes the Intaglio oil based relief inks I use for linocut printing superbly well. For those who like the ease of oil based inks, but admire the matt quality of water based inks, this paper takes away the shine of the dry ink giving it a subtle sheen at most. The other really great plus is the reduced drying time. I do use a cobalt dryer to speed up ink drying, but the inks on this paper were dry within a couple of hours, allowing me to get two layers of oil based printing done within a working day. Coverage is good too, no extra inking, though as always I sanded the lino lightly before printing. It’s a great paper for a lush heavy matt print, though it will need a press.

I have also had a go with Fabriano rosaspina**, another heavy paper for printing with a slight feel of blotting paper. Not good for water based woodblock either: the same uneven inking as the bamboo. I ordered it because my mate Ian Phillips uses it for his marvellous hand burnished reduction lino prints (and because it so felt like the Washi I now realise was a rare and precious treasure that I walloped my clumsy way through in Japan). This also works really well for me with oil based inks using my Albion press with a matt finish similar to the bamboo. There is a note of caution though as the paper embosses with the normal pressure of the press. This will either work really well for your image or not, so factor that in. I couldn’t get a clean print without the slight emboss, but I have a dramatic winter scene in mind among other ideas where this characteristic will, I hope, be the making of the print.

*
Hahnemuhle bamboo paper 290g (90% bamboo 10%rag)

**
Fabriano rosaspina 285g (60% rag)

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4 Responses to Triumph and Disaster

  1. dinahmow says:

    Thank you for doing and reporting all this “legwork.”
    In Australia, all decent paper is imported and, yes,expensive. I currently have some Rosapina and was thinking of getting a block of bamboo to try. You may have saved me from an expensive failure!

  2. Laura says:

    So glad to be of help – paper is always a very seductive minefield!

  3. Mark says:

    As your brother I can say the hatred of dhal must be genetic – I love lentils and Indian food but hate dhal too. This is very annoying, as whenever we order an Indian takeaway they always send a free dish of dhal. Or perhaps nobody likes it, and there is no other way to get rid of it?

    • admin says:

      I do have a good ‘dry’ dhal recipe for mung dhal which is very good and would be happy to make it for your consideration if you would only pay us a visit!!

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